Category Years

Downton Abbey, the luxurious mansion of the Crowley family, prepares to receive the most illustrious guests who have ever set foot in the place: King George V and Queen Mary of England. Faced with the challenge of offering a banquet and a parade at the height of the guests, Lady Mary asks Carson to return to lead the servitude to success. However, this visit will unleash all kinds of scandals, romances and intrigues that could endanger the future of Downton and its inhabitants. The television phenomenon of Downton Abbey makes the leap to the cinema of the hand of its creator, Michael Engler (Unbreakable Kimmy Schmidt). Engler turns his most acclaimed series into his debut for the big screen, a period drama that keeps the ingredients that turned this universe of luxury and scandals set in the early twentieth century into a show so often that it influenced aspects such as resurgence of the academies of butlers, alcohol consumption habits, the economy and even tourism. Class differences, political intrigues and love relationships continue to be the main attractions in this film that, since the drama, follows the aristocracy and servitude of the time. On this occasion, the visit of the kings of England is the excuse to release all the pomp and purely British boato in one last and exciting look at the life of these venerated characters...

Marta is a 17-year-old teenager who, with her father and her brother, spends Christmas holidays in Senegal. The only downside of this exotic trip is that he barely has freedom, as he has filled the agenda of safaris and cultural visits with retirees staying at the resort. In search of people his age, Marta will meet a young hotel worker who records the excursions of tourists. This new friendship will strain the relationship with your family and force them to talk and understand each other. After an applauded cousin, Neus Ballús (The Plague) directs a film that, through the eyes of a 17-year-old teenager who begins to realize how the world works, talks about social inequalities and clash of cultures in a Luxurious Senegal resort. Applauded in festivals such as San Sebastian, Berlin or Malaga, Marta’s trip (Staff Only) becomes an exciting feature film that is inspired by real stories and whose core develops a journey of maturity and reconciliation that will change forever the complicated relationship between a father and his daughter. The drama is combined with some humorous notes in this film that goes into the less glamorous places of these hotel venues to show the difference between good and bad tourism in Africa and the way that Western visitors experience a sweetened version of The reality in this continent. Sergi López (7 reasons to flee) brings experience to a cast completed by debutants Elena Andrada (who plays the protagonist), Ian Samsó, Diomaye Augustin Ngom and Madeleine C...

Henry Brogan is a legendary government assassin who, at 51, begins to feel the weight of the numerous deaths that adorn his resume. For all this, Brogan has decided to retire. However, being the perfect killing machine and knowing the darkest secrets of the system have made it a dangerous loose end for its bosses, who will not hesitate to end it. The one chosen for the mission will be Junior, a clone of Henry much younger and able to anticipate all his movements. With the purpose of taking a new evolutionary leap in entertainment cinema, producer Jerry Bruckheimer (one of the Midas kings of Hollywood) and the Oscar-winning director Ang Lee (The Life of Pi) join forces in this duel rather than fratricide between two versions of Will Smith (Aladdin) separated by 30 years. The first is that of the actor nominated for two Oscars today, who plays a hitman whose age does not forgive and that carries too many deaths in his conscience. The second is a 100% digital recreation of his twenty-year-old self (from the era in which he triumphed with The Prince of Bel Air) turned into an impulsive but implacable murderer, who will chase him across three continents. Shot at 120 frames per second and in native 3D in 4K, Gemini promises an immersive and completely revolutionary visual experience where the action sequences reach a new level of spectacle. In turn, the film delves into the internal conflicts of the characters, who reflect on guilt and their own identity...

The Addams are, without a doubt, the most eccentric family in their neighborhood. In their mansion, located on top of a hill surrounded by fog, they live happily unhappy while preparing the Mazurka with saber, an initiation ceremony for their son Pugsley where he must prove that he is already a teenager worthy of the clan. However, his lifestyle clashes with the plans of Margaux Needler, who wants to turn the neighborhood into an idyllic and cool urbanization for select personalities. Conceived as a tribute to the origin of these charmingly sinister characters (the Charlie Addams cartoons for the New Yorker in 1933), the Addams family recovers, in an animated feature film, this eccentric clan immortalized in television series, two remembered films from the early 90s and an acclaimed Broadway musical worldwide. In addition to taking as a reference the revolutionary visual style of his first drawings, this film directed by Greg Tiernan and Conrad Vernon (The Feast of Salchicas) is also soaked in that macabre atmosphere, black humor and lapidary phrases that made the Addams into the Favorite Halloween family. In this way, Morticia, Gómez, the cousin That, Fetido, Pugsley or a Wednesday in the process of transformation are again protagonists of a fun and gothic comedy for the whole family that celebrates diversity and proposes another idea of ​​what it means to be normal...

When Lu-La, a naughty alien, lands near the Mossy Bottom farm, the Shaun sheep sees the opportunity to live an intergalactic adventure. However, helping her new friend find her missing ship and returning home will not be an easy mission, as Red, an agent of a government organization that wants to prove the existence of alien life, and her bully squad follow closely. . To give them a corner, they will resort to Shaun’s impudence and Lu-La’s powers. Almost 25 years light this nice sheep that, short films, television series, a successful first feature film (The Shaun Sheep: The Movie) and even theme parks through, has become, together with Wallace and Gromit, the great emblem of Aardman . The charm and absurd humor typical of this house founded in 1972 is combined in Sheep Shaun. The movie: Granjaguedon with a spirit of adventure and wonder that reminds of E.T. The alien. In an incredible journey that will take them to a place where an sheep has never arrived before (outer space), the protagonist and his friends will help a friendly alien to return home and escape from a relentless government agent. Converted into one of Aardman’s most ambitious productions, this film directed by debutants Will Becher and Richard Phelan proposes a crazy comedy for all audiences where stop motion animation with clay figures acquires the art category...

Years after their first meeting, the relationship between Maleficent and Princess Aurora, born of resentment, revenge and, finally, love, has become a strong bond between godmother and goddaughter. After a disastrous dinner in the palace, the dark fairy and the one that will soon become queen will separate, seek new alliances and face dangerous enemies to protect their lands and the magical creatures that live in them. This adventure will help them to know each other better. Five years after Maleficent, the film that turned the mythical characters of Sleeping Beauty into flesh and blood, this sequel arrives that continues to deepen the complicated love-hate relationship between the dark fairy and Princess Aurora. Maleficent: Master of evil elapses years after her predecessor, and shows how the link between the two has evolved over time. However, a series of circumstances and secrets that come to light will force them to separate their paths and start, each on their own, a journey of self-discovery that will face the responsibilities of adulthood or the feeling of belonging to two worlds become irreconcilable enemies...

Years after the zombie apocalypse, the hunting of these creatures has no secrets for the group formed by Tallahassee, Columbus, Wichita and his sister Little Rock, who have developed a complete manual of techniques and rules to avoid being devoured. On a chaotic journey from the White House to the heart of the country, this makeshift family will encounter faster and more dead living dead, as well as new human survivors who will test their already difficult coexistence. A decade has passed since Welcome to Zombieland, the action comedy set in a post-apocalyptic world populated by undead that, despite its small budget ($ 23 million) became one of the biggest blockbusters of 2009. To celebrate this anniversary, a good part of the technical team, with director Ruben Fleischer (Venom) at the helm, and the leading quartet formed by Oscar-winning Emma Stone (the favorite) and the Academy Award nominees Woody Harrelson (Han Solo : A Star Wars story), Jesse Eisenberg (Now you see me 2) and Abigail Breslin (Maggie) returns to this fun and chaotic universe where a series of rules are the only thing that separates the human from the zombie. Set years after the events of the first installment, Zombieland: Mata y remata promises to repeat the combination of black humor, spectacular shootings or persecutions, conflicts caused by the entry into scene of other survivors and, again, a hilarious cameo by Bill Murray (The dead do not die)...

Two decades have passed since Sarah Connor managed to avoid Judgment Day and write a new destiny for the human race. However, his past returns when a more advanced and lethal Terminator arrives from the future to assassinate Dani Ramos, a young woman who lives in Mexico with her brother and father. To survive, Dani will have to ally with Sarah, Grace (an improved supersoldier who has also traveled in time) and an obsolete T800 that could be her only hope. The return of James Cameron as producer and responsible for the story and that of Linda Hamilton (A town called Dante’s Peak) in front of the cameras is the first indication that the great objective of Terminator: Dark Destination is to recover the original foundations of This saga, one of the most profitable science fiction movies, which seemed to have been lost in their latest installments (Terminator 3, Terminator: Salvation and Terminator: Genesis). Precisely these last three disappear from the chronology with this film directed by Tim Miller (Deadpool) that starts years after what happened in Terminator 2: The Day of the Last Judgment. The fast-paced rhythm, the raw and blunt action, the tension, the terror and the unease in the face of an apocalyptic future are once again the main ingredients that support this film where there is no longer only a strong female protagonist, but three...

Ricky, Amy and their children Lisa and Seb are a working-class family from Newcastle. Although the two work hard (Ricky has moved from one job to another and Abby enjoys caring for the elderly) they know that achieving economic security that allows them to own a home is virtually impossible. However, the Internet revolution will give Ricky an opportunity to recycle as a delivery man and be his own boss. To achieve this, they will have to risk everything from their car to the ties that bind them. Although with me, Daniel Blake, Ken Loach saw the moment of his retirement close, the new techniques of exploitation of the workers led this 83-year-old filmmaker, always committed to social causes, and his inseparable screenwriter, Paul Laverty, to do One more movie. The result is Sorry We Missed You, a drama about today’s British working class that addresses the phenomenon of the gig economy, where the emergence of different internet services and applications has given rise to a whole market of false self-employed people who, Attracted by the promise of being their own boss, they end up trapped in marathon days under precarious conditions, without social protection or savings for future retirement. The film addresses how the suffocating pressure exerted by this new and more ruthless capitalism affects the ties of a typical humble family in the United Kingdom, to which the economic crisis deprived them of their dream of owning a home...

2003. Katharine is a translator of the British government that receives an email from the US authorities with guidelines to spy on UN members and, thus, force a resolution that will allow them to invade Iraq. Determined to avoid an illegal war, Katharine filters the mail to the press. After being discovered, they stop her and accuse her of violating the Law of Official Secrets. From that moment, he will start a legal battle in which his life, his freedom and his marriage will be at stake. Become an expert when it comes to addressing the most controversial aspects of international politics in stories of tension and suspense typical of thriller, Gavin Hood (Spies from the sky) directs a thrilling film based on real events. State Secrets tells the case of Katharine Gun, a British intelligence translator who received a document from the Bush administration urging the UK government to spy on the non-permanent members of the UN Security Council and, in that way, force a resolution that would give the green light to the invasion of Iraq. The story of this woman, who was accused of violating the Law of Official Secrets for leaking this information to the press and trying to avoid war, becomes a film about the integrity of a person against cynicism and the tejemanejes of the institutions where Elements of espionage cinema, journalistic research or judicial drama are combined...